Abigél Szõke, Katalin Simkó - Those Who Remained (Akik maradtak) (2019)

Abigél Szõke and Katalin Simkó were both part of the cast in the 2019 Hungarian drama film "Those Who Remained" (Hungarian title: "Akik maradtak"). Here's a detailed look at their involvement and the film: Abigél Szõke portrays Wiener Klára, a 16-year-old girl who has lost her family during the Holocaust and is living in post-war Hungary. Her performance has been widely praised for capturing the complexity of a teenager dealing with trauma, denial, and the quest for identity and love. Szõke's portrayal was crucial in the film's narrative about healing through human connection. Katalin Simkó plays Erzsi, a character who adds to the ensemble of survivors and those affected by the aftermath of World War II. While her role might not be as central as Klára's, Simkó's contribution to the film's emotional landscape is significant, portraying the struggles and resilience of the time. Plot: "Those Who Remained" is set in 1948 Budapest and focuses on the relationship between Klára and Dr. Aladár Körner (played by Károly Hajduk), a Holocaust survivor and gynecologist who forms a bond with Klára. The film delicately explores themes of loss, trauma, love, and recovery in the shadow of the Holocaust, showing how these characters find solace and a semblance of normalcy through their connection. Critical Reception: The film has been well-received, with accolades for its sensitive storytelling, the performances of its leads, especially Szõke, and its depiction of post-war Hungary. It was selected as Hungary's submission for the Best International Feature Film at the 92nd Academy Awards, making the shortlist. Nude Scenes: There are no explicit nude scenes involving Abigél Szõke or Katalin Simkó in "Those Who Remained." The film's approach is more about emotional nudity, focusing on the characters' vulnerabilities and the healing process rather than physical exposure. This film underscores the importance of human connection in overcoming personal and collective trauma, with Szõke's and Simkó's performances contributing significantly to this narrative.