L’insegnante viene a casa (1978)
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2 месяца назад
"L'insegnante viene a casa" (1978), known internationally as "The School Teacher in the House," features several nude scenes throughout the film, which are typical of the Italian sex comedy genre, particularly the "commedia sexy all'italiana."
Edwige Fenech, who plays the titular character Luisa De Dominicis, is central to the film's nude scenes. She appears nude frequently, including in sequences where she is:
Undressing or partially undressed during various comedic or seductive situations.
In a shower scene, which is often highlighted as one of the more notable nude scenes.
Engaging in intimate situations with her love interest, which involves partial or full nudity.
Ria De Simone, another actress in the film, also features in nude scenes, albeit fewer than Fenech. Her character, Sig.ra Bonci Marinotti, has at least one nude scene that is mentioned in reviews.
Other Nudity: The film includes additional minor characters in states of undress to enhance the comedic or erotic elements, but Fenech's presence is the primary draw for these types of scenes.
The movie is known for its playful and sometimes farcical approach to nudity, using it as a key element of its humor and allure. This aligns with the genre's conventions at the time, which often used nudity to drive the comedic plot or as part of the film's appeal.
Edwige Fenech, who plays the titular character Luisa De Dominicis, is central to the film's nude scenes. She appears nude frequently, including in sequences where she is:
Undressing or partially undressed during various comedic or seductive situations.
In a shower scene, which is often highlighted as one of the more notable nude scenes.
Engaging in intimate situations with her love interest, which involves partial or full nudity.
Ria De Simone, another actress in the film, also features in nude scenes, albeit fewer than Fenech. Her character, Sig.ra Bonci Marinotti, has at least one nude scene that is mentioned in reviews.
Other Nudity: The film includes additional minor characters in states of undress to enhance the comedic or erotic elements, but Fenech's presence is the primary draw for these types of scenes.
The movie is known for its playful and sometimes farcical approach to nudity, using it as a key element of its humor and allure. This aligns with the genre's conventions at the time, which often used nudity to drive the comedic plot or as part of the film's appeal.
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