Ann Michelle, Vicki Michelle, Patricia Haines - Virgin Witch (1972)

Virgin Witch (1972), a British horror sexploitation film directed by Ray Austin, prominently features nudity, particularly involving the lead actresses Ann Michelle, Vicki Michelle, and Patricia Haines. The film follows sisters Christine (Ann Michelle) and Betty (Vicki Michelle), who are lured to a remote manor under the pretense of a modeling job, only to discover it’s a front for a witches’ coven led by Sybil Waite (Patricia Haines) and Gerald Amberley (Neil Hallett). The plot heavily emphasizes erotic elements over horror, with frequent nudity integrated into scenes such as photo shoots, rituals, and casual moments.
Ann Michelle (Christine): As the ambitious and psychically gifted sister, Ann Michelle appears nude in multiple scenes, including a notable photo shoot where Christine poses naked on a car bonnet, as well as during the coven’s initiation ritual where her character’s virginity is taken by Gerald. Reviews describe her nudity as a central focus, with one source noting “lots of Ann Michelle’s very hairy bush” due to the era’s aesthetic. Her performance is described as confident, aligning with her character’s eagerness to join the coven.

Vicki Michelle (Betty): Playing the more reserved sister, Vicki Michelle also has significant nude scenes, though slightly less frequent than Ann’s. She appears naked during photo shoots and coven rituals, with the film capitalizing on her and Ann’s real-life sisterhood for titillation. This was Vicki’s acting debut, later overshadowed by her role in ‘Allo ‘Allo!. Both sisters later disowned the film, claiming director Ray Austin pushed for more nudity than initially agreed upon.

Patricia Haines (Sybil Waite): As the lesbian high priestess and modeling agent, Patricia Haines’ character is portrayed with a predatory undertone, lusting after Christine. While Haines herself has less nudity compared to the Michelle sisters, she is involved in scenes with erotic tension, particularly during Christine’s “audition” and coven rituals. Some reviews critique the film’s homophobic portrayal of her character, reflecting 1970s attitudes. Her performance is often praised as a highlight, adding charisma to the sleazy narrative.